Hawk class-X 2x squeeze Anamorphic Primes and Zooms have an iconic look for Super35 format. MiniHawk primes are lightweight, compact, anamorphically hybrid, oval bokeh Super35 format lenses. Hawk65 Anamorphic 1.3x squeeze Primes fill Large Format and 65mm frames. Cinematographers can comfortably and consistently mix and match these latest sets.
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Anamorphic Lenses. Hawk V-Lite; Cooke Anamorphic/i; Primo Lenses. Leica Summicron-C; Cooke Panchro/i; Zeiss Master Prime; Cooke S4/i; Zeiss Ultraprime 35; Zeiss Ultraprime 16; Zeiss Compact Prime CP.2; Canon Sumire Primes; Canon Cine Primes; Zeiss Standard T. 2.1; Zoom Lenses. Zoom Fujinon. Zoom Fujiinon PL 25-300; Zoom Fujiinon PL 19-90; Zoom
Hawk Anamorphic Los Angeles LP 5009 Exposition Blvd Los Angeles, CA 90016 USA Tel. +1 213 335 3900. Go to Top. General Conditions Corporate Logos Jobs
Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts. distinctive 1.3x anamorphic look.
Hawk V‑Lite anamorphic lenses Hire - Rental. 28, 35, 45, 55, 65, 80mm. These lenses have achieved improvements such as increased definition and contrast. The set is made up of ten focal lengths ranging from 20mm to 140mm SPAIN & PORTUGAL.
419000 € - 410620 $. Unique V-Lite set with 6 lenses + 180mm V-Plus lens Black 74' Edition. Contact seller.
Kollmorgen-Kosaka 2X Anamorphic Lens KA298 w/SnapLite Series II BX-163 Vintage. $224.98. Was: $299.97. $19.65 shipping.Rent SET HAWK V-LITE ANAMORPHIC Lenses T2.2-3 PL 35,55,80,110mm Full technical maintenance of video shootings of any complexity. 【RENTAL №1】 Hey, We're beginning to grade a film shot with Hawk V-Lite 1.3x anamorphic lenses. The online guy and I are trying to to figure out the exact amount to unsqueeze. It seems impossible to find any information from hawk. It is as simple as 75% on the Y? Matt Hawk V Lite 2x anamorphic lenses deliver the unique look and reliability of Hawk anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size – smaller than many commonly used spherical primes – has made them popular worldwide. EUROS 445,000 FOB - SOLD
For the past, Parekh chose Hawk V-Lite anamorphic lenses. He liked the Hawks because they were lighter than most 2:1 anamorphic lenses. “We shot a lot of handheld for the past so having a lighter lens was important to me,” explains Parekh. “I also love the focus fall off on the wider end.
Adding to their Vintage ’74 set Vantage produced the Hawk V-Plus Vintage ’74 Zooms. Available in the same focal lengths as the regular Hawk V-Plus lenses, the Vintage ’74 versions offer the same vintage coatings that greatly accentuate the anamorphic effects and flares of the lenses. These will match the normal V-Lite Vintage ‘74’s well.
Hawk Anamorphic® V-Lite 28 mm T2.2 Depth of Field Metric. 2x Aperture T2.2 T2.8 T4 T5.6 T8 T11 T16 Hyperfocal Distance 19.17 16.13 11.28 8.07 5.65 4.10 2.82 Focus
The versatile Hawk V‑Lite 1.3x lenses either use the full 16:9 sensor area for wide-screen release or the entire 4:3 sensor for 16:9 television. The Vintage’74 version has certain gentle aberrations and other characteristics that might be considered flaws by others but are welcomed storytelling tools for cinematographers as they seek to transport audiences to virtual worlds. Read more »
Todd-ao anamorphic. These are Los Angeles made anamorphic lenses from the 1980s. All the lenses have good sharpness and flare rather easily. Some of the focal lengths offer fast aperatures which make them very expressive lenses. Great for today's ultra sharp digital sensors. The 28mm focal length is a specialty lens that doesn’t have a fully55mm t2.2 hawk v-lite anamorphic When we usually think about anamorphic lenses we think of lenses that are 1.8x or 2x, and not 1.33x. There are very few 1.33x anamorphic lenses on the market, except for the SIRUI 1.33x, SLR Magic 1.33x Anamorphot-CINE, and the Hawk 1.3x (which are very expensive), but none of those options completely cover full The last two shots were shot in s35 mode, I left the original aspect (around 3.55:1), no resize to fit the 2.39:1 anamorphic aspect. *Grain added in post. All shot handheld with no rig, just camera and huge 2kg lens. -The dynamic range of the Sigma FP is huge, but you have to prioritize the highlights while exposing; shadows can be recovered Egig0ti.
